Monday, April 1, 2019

April is National Poetry Month


Poetry scares me. When someone asks me to write a poem, my first thought is “I can’t do it,” and my mind closes down. Yet, I know if I were better at poetry, it would affect my writing style and storytelling. I desire to achieve lovely metaphors and thoughtful prose that make a reader stop in their tracks and savor the words.
On the blog Stephanie Says So, one can learn a different style of poem writing every day for the month of April. Today, Stephanie posted instructions on how to write The 5 W’s Poem. I have followed her instruction and this is what I wrote:


Ancestors
Helped form my identity
With the way they lived their life
When they had trials, made choices, allowed circumstance, finished achievements, and followed talents
Because they too desired happiness and fought to survive


Thursday, February 14, 2019

Using Ancestors’ Stories in Fiction


Just how far back into the past can you reach to find new ideas for writing? Family history (genealogy) is the second most popular hobby in America, making it easy to find information online. Have you ever considered using stories or unusual events that happened in your ancestors’ lives in your novel? As writers, we must always be willing to go looking for new and creative concepts. When writing fiction about ancestors, you can balance facts with imagination.

Learning about your ancestors can be a treasure trove for character building, plotting, settings, and so much more. One of the most famous examples of an author using his ancestors in a novel would be Alex Haley when he wrote Roots. But did you know Nathaniel Hawthorne
loosely based The Scarlet Letter on his strict Puritan ancestors? Or that Emily Bronte in the gothic novel, Wuthering Heights, based the unusual and imbalanced character of Heathcliff from an ancestor?

Our ancestors’ stories often hold potential for great plot lines. You don’t need to write their stories as historical fiction, but instead bring their experiences forward into contemporary times or even the future. It’s possible the struggles your ancestors experienced on the Oregon Trail or settling a new land may be the very same experiences a colony in space may come up against. If you’re an American, then its more than likely you have immigrant ancestors. Often their stories are full of learning, strife, hate, fear, and misunderstandings from both the country they left and the one they settled. Assimilation is usually not easy. Finding the motivation behind these issues might be where a story lies.

You can find ideas on how to create well-rounded and interesting characters from people in your family tree. Experiences, hardships, and relationships make us different from one another. Rarely are people all-good or all-evil. Create fully dimensional villains by thinking of the worst person in your family then round them out with at least one redeeming quality. People are always more complex than they seem, as your characters should be. From one of my ancestors I formed a character who steals from his mother, lies easily and without hesitation, has alcohol and drug abuse issues, and has spent time in prison for crimes you can’t speak of in polite society. Yet, he’s partially redeemed by his sensitivity and the memories of his family he holds close to his heart.

People’s life experiences shape them. Find out social, economic, religious, and political backgrounds. Did they grow up in a big family, or were they an only child? How high of an education did they receive and was it traditional? Were they illiterate? Did they love the earth and farm the land? 
Did the family carry traits from their homeland brought to the country of immigration? Did their name spelling change? Did they have to learn a new language?



Interviewing the oldest living relatives in your family is a good place to start. Ask what they remember about their parents and grandparents. Writing about family members means researching clues to figure out what kind of life they led, who they loved, how they loved, and what they did with their lives.

To find your ancestors, you could use family history websites such as ancestory.com, chroniclingamerica.com, cyndislist.com, and archives.com. Some of these websites can help you track down living descendants of your ancestor’s siblings. It’s a great way to find photos because people usually didn’t keep their own portraits, but gave them away to family members. A face is worth a thousand words—let your imagination go wild and write those thousand words from your ancestor’s likeness.

Old census records can be valuable information for how many were in a family and what their occupations were. And it’s amazing what can be found in a courthouse. They hold records of births, marriages, deaths, and so much more. Court records can help you find drama about relatives who were criminals, but also those who were victims. Land records could demonstrate an ancestor’s lifestyle and wealth. Perhaps they didn’t own land, but instead followed the migration to unchartered territories of the Wild West.

Researching and writing about your ancestors can help you come to respect them for who they were and the paths they chose. In knowing who your ancestors were and writing about them, you can help others by giving past experiences understanding. Transform them into characters that suit the needs of your story. You could even write yourself as a fictional character searching for his or her past and unlocking family secrets. Don’t forget to leave room for your imagination to take your readers to new and interesting places.

Saturday, February 2, 2019

Vote for Others to Win a Trip to Their Ancestral Homelands


On January 12 I posted "What Does Your Ancestral Homeland Mean to You?" and recently heard from a reader, Mira Daniels, who entered the RootsTech FilmFest '19 contest (that I had mentioned in the post). She is one of the semi-finalists! Here is a link if you want to see her video and vote to help her win a trip to her ancestral homeland. And here are all the videos if you'd like to vote for others. Good luck, Mira! Let me know if you win and I'll post it here.

Wednesday, January 23, 2019

Interview with Heather B. Moore about her book "Condemn Me Not: Accused of Witchcraft"


Condemn Me Not:Accused of Witchcraft, is a fantastic book about the author’s ancestor.

Are you wondering what it would be like to write fiction about your ancestor? 

Heather B. Moore wrote about her ancestor in the book Condemn Me Not, largely about the Salem Witch Trials, but also detailing her ancestor’s early life when she met her husband.

Ora: Heather, it’s so kind of you to do this interview! When reading your book, I was immediately appalled and fascinated as you described your 72-year-old, 10th great-grandmother, Susannah Nurse Martin, in a filthy prison awaiting trial for the infamous Salem Witch Trials. The year was 1692. I’m curious, did you feel any connection to her as you wrote? Did it feel any different than when you’ve written other stories not based on an ancestor?
Heather: Thanks for the interview, Ora. Susannah is on my father’s side of the family, but my mother is who discovered the connection. When she first emailed me some information, I knew immediately that I wanted to write her story someday. That someday occurred several years later. I think feeling compelled to write her story was a connection that I couldn’t exactly explain. Her story is included in many historical texts, but I wanted to take a different approach.

Ora: Did you come at the story differently knowing you were writing about an ancestor and not a fictitious character?
Heather: I’ve written a lot of historical novels, so this wasn’t different in that aspect. The difference was that I knew that many of my family members would likely be reading it, as a family history of sorts, so I wanted to make sure I did thorough research.

Ora: When you first found out you were a descendant of Susannah’s, how did you feel?
Heather: I found out about 10 years ago, and started seriously thinking of when and how to write the book about 8 years ago. I was amazed and read through several things online that I could find.

Ora: What was it like writing about the romance of your ancestors?
Heather: Susannah was twenty-five when she married, which was considered a near-spinster. After reading through all that she and her husband had endured, and the many times he’d stood up for her, I knew there was a true love story in their relationship. Of course, I took some liberties with emotions and attractions, but I believe that I was at least basing them on emotions that transcend time for all of us.

Ora: Were you worried you wouldn’t get something right and displease Susannah or George Martin?
Heather: There was enough conflicting information, that sometimes I had to take the best educated guess. I was also careful to include all of my sources at the end of the book. I’ve received an email or two from other descendants with corrections, and I’ve gone ahead and updated those files. The nice thing about historical “fiction” is that readers know there are some liberties taken, and I am sure that Susannah and George understand this as well. 

Ora: Why did you write Susannah in first person?
Heather: First person narrative is a very intimate point of view. I didn’t exactly “choose” to write in first person. The first paragraph came out that way. I wrote the first chapter about four years before I was able to continue in writing and research, so I stuck with my earliest impressions of how the story needed to be told. In the audio version, narrated by Nancy Peterson, I find that first person becomes a haunting and touching voice.

Ora: I enjoyed the structured of the story with going back and forth through time. Why did you write it this way?
Heather: I decided to write the story as a dual timeline because I didn’t want to have to skip over years with each chapter as I wrote. I also didn’t want to regurgitate all of the books out there that focus on the trials. By writing Susannah as a younger woman, we get to see her early life, her romance, and delve into her community culture and norms. We learn about the foundation of the Salem and Salisbury community, so that when Susannah does meet her tragic end, we have a full view of this era in American history. The chapters of her as a young woman also give the reader a bit of relief from the chapters set in prison during her last few weeks of life.

Ora: What would you like to share about the research? How much research did you do? How long did it take?
Heather: I dabbled on and off for about four years, and finally I decided to dedicate two months to research and writing. When I was finished, the book felt too short. So I added a couple of scenes “after” the marriage. Even when I’d finished it, I didn’t publish it for about another year. We also did a custom photo shoot with my daughter as the cover model.

Ora: That’s cool about your daughter being on the cover—one more connection to family. Was it hard to decide what to put in the story and what to leave out?
Heather: I already knew that I didn’t want to focus on the trials and the accusers as much as other books had. It had already been done, and done well. So that gave me more focus on Susannah’s earlier life and her immediate family. And then I wanted to include the women she was hanged with. For the sake of the story, I have them all in the same jail cell, although they might not have been all together. That was another thing that was hard to discern through research. But they all received the same death sentence and were hanged at the same time and place.

Ora: What is your take on Puritans and the witch trials?
Heather: There are plenty of theories as to the “why” that have been explored by other historians. I definitely believe in mass hysteria since I’ve seen it in my own community. Rumors lead to more rumors, and that only fuels the fear.
Ora: Have you written any other novels based on ancestors? Would you do it again?
Heather: I would be interested in doing it again if I found the right story that compelled me to invest the time needed. I’ve ghost-written the beginnings of other ancestor stories, but haven’t finished them because there was no contract offer.

Ora: Thank you for taking the time to share your thoughts with my readers and myself. Is there anything else you’d like to mention that may be helpful to someone who’s decided to write fiction about their ancestor?
Heather: One piece of my advice from my mother is that she wanted me to “soften” some of the scenes I’d written, due to the advent of younger relatives reading my adult-audience books. I did soften a couple of the scenes. But those younger relatives eventually grow up, and I didn’t want to dilute the impact of the story. Another thing I did was a poll on the title of the book. I really struggled with what to call it, and finally landed on Condemn Me Not: Accused of Witchcraft, after reviewing several suggestions.

Ora: Not only is it a good title, it was a great book. Thanks so much for taking the time for this interview. Condemn Me Not is a valuable example of how to write fiction about ancestors.